|
Ann Arbor Area Auditions ListA free service of Freshwater Seas, in operation since April 2000.Current And Recent AuditionsThis website provides information about auditions to be held in the Ann Arbor, Michigan area. That area includes the counties of Southeastern Michigan and Toledo. Please don't enter audition information for events outside that area. Auditions for films, dance, theater, opera, improv, and similar activities of interest to theatrical actors, directors and designers are welcome. Postings for design, technical, logistic and administrative work are also welcome. |
Older listings are found in the Archive pages.
TO ALL PRODUCERS: VERIFIABLE
NAMES AND CONTACT INFORMATION ARE REQUIRED.
I have noticed an increase in postings from unverifiable sources for
"opportunities" that seem to me to be bogus. Going forward I will remove, at my
own discretion, any such postings that I notice. To avoid that, be sure to
include fully verifiable contact information about the organization and contact
person you list. I will verify listings on a random basis as time permits.
TO ALL PRODUCERS: DUPLICATE NOTICES WILL
BE REMOVED.
Sometimes people decide their posting has slid too far down the list, so they
re-post the same information in order to be nearer the top. Sooner or later, that will
produce a "posting war" as everybody tries to be at the top of the list. At my
discretion, I will remove duplicate postings to prevent this.
You may repeat a posting in order to add significant new information, such as a change in dates, or to correct important errors. Otherwise, everybody takes pot-luck on the position of their listing.
If you repeat a posting, be sure and let me know why at annarborauditions@annarborauditions.org. Otherwise, there is a good chance I may kill your listing if I don't happen to notice what changed. I don't have large amounts of time to spend trying to figure those things out. Also, if you let me know what's happening, I may be able to publicize it to the email list subscribers.
Listings will appear strictly in reverse chronological order by entry date.
|
|
|
|
CastingInfoFor more information about our theatre, visit our website, carriagehousetheatre.org. THE PLAY: Translations, by acclaimed Irish playwright Brian Friel, is set in a rural school in the town of Baile Beag in 1833, when Ireland is under direct British rule. The schoolmaster’s son Owen has returned from Dublin, accompanied by two English officers with orders to survey the area and standardize place names – which means translating them into the King’s English. As the residents of Baile Beag struggle to find their place in this anglicizing world, young lieutenant Yolland begins to fall in love with Baile Beag as it is, its language, and a young woman who attends the school. Language itself, with its ability to both unite and divide, stands at the crossroads between imperial powers and cultural heritage, between tradition and progress in this complex play about identity in a changing world. MANUS (M 20s-30s) - Son of the schoolmaster and teacher at the school. Intense and giving. Walks with a limp. JIMMY (M 60s) - An eccentric bachelor who attends the school for company and intellectual stimulation. DOALTY (M 20s) - A student at the school. Boisterous, generous, open-minded and openhearted. HUGH (M 60s) - The schoolmaster, and a high functioning alcoholic. OWEN (M 20s-30s) - Hugh’s son and Manus’s older brother. Charismatic. He has just returned from Dublin after 8 years. CAPTAIN LANCEY (M 40s-50s) - A cartographer for the British Crown. Pragmatic and crisp. His skill is with deeds, not words. LIEUTENANT YOLLAND (M 20s-30s) - An orthographer for the British crown. Romantic, with a shy, awkward manner. SARAH (F Teens-30s) - Shy and waiflike, with a severe speech impediment. MÁIRE (F 20s) - A student at the school. Strong minded and strong bodied. BRIDGET (F 20s) - A student at the school. Fresh, lighthearted and vain, with good instincts.
CastingInfoActing Lessons--each Thursday for eight Thursdays. Be Prepared to begin to learn a no-fail audition technique. And no fail -character development,analysis Trusting you Actors Instincts, The best method of Character Analysis/development conceived by your professional instructor. The proven (no fail) Stage Diretions, Blocking an Movement, Physicality, Vocal Projection, Duet and trio Acting Scene Study, Monologue Work. E-mail NMUFFLEY@SLPR.net (Fenton Community center. Ceative Drama every Thursday at the Fenton Community Center. 5:00-5:45pm. The student will develop and heighten skills in Language and Communication, Proglem Solving, Crestive Inagination development, Positive Selp-Concept, including Social Awareness and Empathy, Values and empathy, Values and Positive Attitudes,through Creative Drama Activities invluding movement exercises, pantomime, theater games, story dramatization and group improvisations. Last class session --Student showcase--Final Presentations--Parents and friends invited. The instructor is the most outstanding theater director and Theater teacher in the Southeast Michigan Area. You do not want to miss the training she has to offer you.
CastingInfoWest End performer Peter Karrie of Phantom, Les Miz, etc. will be touring in Michigan this summer (see event description below), and we are looking to showcase local musical talent as part of our event! Prepared solo, duet, ensemble pieces in the musical theatre style preferred, but not required. Any and all experience levels welcome! Featured and ensemble opportunities are available. Rehearsal will take place the week prior to performance. We would love to have you join us! Event description: An evening of popular songs from musical theatre starring West End performer, Peter Karrie. Peter is best known for his portrayal of the title role in Andrew Lloyd Weber’s, ‘Phantom of the Opera’. He has also starred in ‘Les Miserables’, ‘Evita’, ‘Chess’, ‘Jesus Christ Superstar’ and many others. Select 'July' via link below: http://www.canton-mi.org/villagetheater/performance_glance.aspx
CastingInfoAuditions for PTD’s production of Ken Ludwig’s farce, Lend Me a Tenor will be held at the Riverside Arts Center on June 16 and 17, with callbacks, if needed, on June 18. The auditions will begin at 7pm. There are roles for 4 men and 4 women. The production will be directed by Laura Bird. Show dates are September 19-22, 26-28. Auditions consist of cold readings from the script. A list of potential readings is available from the director at the email address below. Those auditioning for Max, Tito, and the Bellhop, please have a portion of an operatic-type song prepared that you can sing acapella. These characters do not require trained singing voices, but the actors should be able to carry a tune and sing loudly. If you have any questions, or cannot make these audition days, feel free to contact her at lbirdhouse@comcast.net. Synopsis: This night in September of 1934 is the biggest in the history of the Cleveland Grand Opera Company. World famous tenor Tito Morelli is to perform Othello, his greatest role, at the gala season opener. Saunders, the General Manager, hopes this will put Cleveland on the operatic map. Morelli is late; when he finally sweeps in it is too late to rehearse with the company. Through a hilarious series of mishaps, Il Stupendo is given a double dose of tranquilizers which mix with the booze he has consumed and he passes out. His pulse is so low that Saunders and his assistant Max believe he is dead. What to do? Max is an aspiring singer and Saunders persuades him to get into Morelli's Othello costume and try to fool the audience into thinking he's Il Stupendo. Max succeeds admirably, but Morelli comes to and gets into his other costume. Now two Othello’s are running around in costume and two women are running around in lingerie, each thinking she is with Il Stupendo! Character Descriptions: Max*-Assistant to Saunders. Late twenties-mid thirties. Max is earnest and hard-working, and is in love with Maggie. Maggie- Max’s girlfriend & Saunders’ daughter. Mid twenties-early thirties. Maggie is smart & practical, but yearns for something “wonderful and romantic” before she settles down with Max. Saunders-General Manager of the Cleveland Grand Opera Company. Late forties-mid sixties. Saunders is brusque and authoritarian with a short fuse. Tito Merelli*-A world-famous tenor, also known to his fans as “Il Stupendo.” Early forties-mid sixties. Tito is larger than life; full of grand gestures and grand appetites. He has an Italian accent. Maria-Tito’s wife. Mid thirties-late forties. Maria is proud, excitable, and emotional. She speaks with an Italian accent. Bellhop*-A bellhop. Early twenties-mid thirties. The bellhop is shrewd, opportunistic, and determined to audition for Tito. Diana-The Cleveland Grand Opera’s lead soprano. Early thirties-late forties. Diana is sexy and forceful; she knows what she wants and how to get it. Julia-Chairperson of the Opera Guild. Mid forties-early seventies. Julia is vivacious and charming and passionate about opera. *Max, Tito and the Bellhop sing “opera.” The actors need only be able to sing loudly and carry a tune; operatic training is not required. For more information call (734) 395- 5876 or contact the director, Laura Bird at lbirdhouse@comcast.net
CastingInfoWe are seeking actors for our upcoming production of The Hallelujah Girls by Jessie Jones, Nicholas Hope, and Jamie Wooten. Auditions will be held on Monday, June 17 and Tuesday, June 18 7-9pm. Auditions will consist of cold readings from the script. No appointments, head shots, or resumes required! SYNOPSIS This comedy revolves around the attempts by a group of women in the small town of Eden Fall, Georgia, to convert an old church into a health and beauty spa. They are opposed by the self-anointed arbiter of the town social life, who wants the property for reasons of her own. The plot is enhanced by the convoluted love lives of the women in the church. We need five women who can play someone in their fifties, and one older, maybe sixty-five, and two men in their fifties, one of whom is in good physical shape. Southern accents, provided they are consistent, need not be over the top. CHARACTERS All the characters are from the fictional small town of Eden Fall, Georgia. They are real persons, not caricatures from a town with only two last names. The time is present day. Southern accents, if moderate and consistent, are preferred. The characters, with the exception of Mavis, are described as being in their fifties, while Mavis is sixty-five. If you can play the age, you don’t have to match it chronologically! The number of pages listed with each character is the number of pages they are on stage: the script is 45 pages of dialogue. Carlene Travis: has been married three times, and all three husbands have died in unlikely accidents. She has a dry wit, and some very funny lines. 44 pages Nita Mooney: sweet and simple, she works in the county records office. She has a layabout no-good son, Ronnie, 27, whom she is continually bailing out of one trouble or another. 37 pages Mavis Flowers: has been married over forty years to a husband who is oblivious to her and anything else he is not personally interested in. 39 pages Crystal Hart: is a ditz, but a cheerful one. She likes to cook, make up lyrics to Christmas carols to suit any occasion, and she dresses in costumes appropriate (?) for any and every holiday. This actress should be able to sing, and I would love it if she played an acoustic guitar or ukulele. The script has her banging away on a piano, but I think a uke would be funnier. 26 pages Sugar Lee Tompkins: worked as a beautician in a department store. She has decided to open her own beauty spa in an old church. She was left at the altar early on, and has remained unmarried. 40 pages Bunny Sutherland: is the self-proclaimed society queen of Eden Falls. She bulldozes through as if other opinions are not only unimportant, but they don’t exist. One way to approach her character would be to mix equal portions of Cruella deVille and Eulalie McKechnie Shinn, but feel free to come up with your own small town tyrant archetype!14 pages Bobby Dwayne Dillahunt: is the man who almost married Sugar Lee so many years ago, but blew his chance. He is now a ruggedly handsome handyman. Bobby looks good in shorts, a muscle tee, and work boots. His legs are favorably commented on in the show! 21 pages Porter Padgett: is an out-of-shape momma’s boy, but he has an adventurous streak in his soul. Too bad it is smothered by his overprotective mother. 5 pages In addition to assistant director and stage manager, numerous positions are available for backstage work! “Good times have begun!”
CastingInfoShining Star Performing Arts Academy Summer 2013 THOROUGHLY MODERN MILLIE JR. is a high-spirited musical romp that has all of New York dancing the Charleston. It’s the zany new 1920’s musical that has taken Broadway by storm! Taking place in New York City in 1922, THOROUGHLY MODERN MILLIE JR. tells the story of young Millie Dillmount, who has just moved to the city in search of a new life for herself. It’s a New York full of intrigue and jazz - a time when women were entering the workforce and the rules of love and social behavior were changing forever. Based on the popular movie, the stage version includes a full score of new songs and bright dance numbers. Auditions – Tuesday, June 18, 2013 – 9am to 11am Call Backs – Thursday, June 20, 2013 – 9am to 11am Orientation – Tuesday, June 25, 2013 – 9am to 11am Performances – Saturday, August 10, 2013 and Sunday, August 11, 2013 Farmington Civic Theater 33332 Grand River Ave. Farmington, MI 48335 Ages 4+ SHININGSPRODUCTIONS.ORG
CastingInfoFor more information about our theatre, visit our website, carriagehousetheatre.org. THE PLAY: In a small town, coaching little league is no walk in the park. Michael joins on as assistant coach to Don, who’s been coaching baseball for years. The coaches struggle to employ their differing philosophies on winning the game and enjoying the game. Can the two philosophies coexist? And what changes when the men’s personal lives are drawn into the game? MICHAEL: The new assistant coach of a small town little league baseball team. He believes the game is about enriching the kids and having fun. He has no experience, but is very excited about his coaching philosophy and isn't afraid to speak up about it. His son Frankie is one of the weaker players on the team. Very friendly, but not particularly open about his personal life. Widower. Never goes by Mike. DON: The veteran coach of a small town little league baseball team. He takes Michael on as assistant coach after his "friend" left the position. Does not care about much beyond winning games except perhaps the attention of the opposite sex. He does care about the kids and their experience, but he believes that baseball is meant to teach them how to be winners. His son Jimmy is the star player on the team... at first. Not afraid to criticize and confront Michael on his coaching philosophy. Unhappily married. Never goes by Donald.
CastingInfoDionysus Theatre (The Dio) is Livingston County's newest professional theatre company. Employing performers from Michigan as well as New York, The Dio strives to bring quality entertainment to Livingston County and the surrounding areas. Seeking/Roles Available: Seeking Non-Equity performers only for the following roles: SPARKY Male, age 20 to 35, baritone. The clown of the group who is shown to have a heart. Very sharp and loves singing his tailor made solos. Wears a retainer and has a slight speech impediment. Energetic and clever. Piano skills a plus. JINX Male, age 20 to 35, tenor. The shy one. He lives his life terrified and doesn’t always remember what song comes next. Sparky’s step-brother, he occasionally gets a nosebleed when he sings above an A. Piano skills a plus. SMUDGE Male, age 20 to 35, bass. The worrier. He worries about the props, the running order, and always assumes the audience won’t like him. Has chronic nervous stomach and is oddly reluctant to perform. Wears glasses which hide his good looks and sex appeal. All roles paid. SYNOPSIS: Forever Plaid is one of the most popular and successful musicals in recent memory. This deliciously goofy revue centers on four young, eager male singers killed in a car crash in the 1950's on the way to their first big concert, and now miraculously revived for the posthumous chance to fulfill their dreams and perform the show that never was. Singing in the closest of harmony, squabbling boyishly over the smallest intonations and executing their charmingly outlandish choreography with over-zealous precision, the "Plaids" are a guaranteed smash, with a program of beloved songs and delightful patter that keeps audiences rolling in the aisles when they're not humming along to some of the great nostalgic pop hits of the 1950's. Directed by Steve DeBruyne, with music direction by Brian E. Buckner and choreography by Cara Manor. WHAT TO PREPARE: Please prepare 16 bars of a 1950s song, musical theater songs would also be appropriate. Bring sheet music in the correct key, a headshot and resume stapled together, and a list of any and all conflicts from June 8 through August 10. Sign in will begin at 6:30pm. Any person wishing to audition must be signed in by 9pm. Performers unable to attend this audition may send their headshot and resume as well as any audio/video of previous performance experience to Artistic Director, Steve DeBruyne at steve@diotheatre.com Other Dates: (rehearsal/production) Rehearsals will begin on Saturday, June 8. Rehearsals take place at Dionysus Theatre, Mondays through Fridays from 6pm to 10pm, and Saturdays from noon to 6pm. Tech Saturday, July 6, will take place from 9am to 9pm. No rehearsal on the 4th of July. Performances take place at Dionysus Theatre, 135 E. Main St. Pinckney MI, 48169, July 11 through August 3 with a possible extension through August 10. Forever Plaid performs Thursday, Friday and Saturday evenings (call time 6:30pm), and Sunday afternoons (call time 12:30pm). There will be one Wednesday matinee on July 31 (call time 12:30pm).
CastingInfoThe Play’s the Thing is an opportunity for playwrights to have their works read, discussed, and reworked. It’s an opportunity for the audience to hear new works and to give feedback to the playwrights. Each performance features concert-readings of original plays of various lengths, and each performance is directed by a different director. Auditions consist of cold readings from the script and an optional monologue (comedy or drama) of up to one minute in length. There are multiple roles for actors of either gender ages 16 and up. Those auditioning may audition for any or all three performances. No pre-registration is required. Each performance will have one rehearsal in June.
CastingInfoSpirit Uncle Productions is a new theatre company. Its mission is to perform staged readings of original scripts. Our first show will be called "An Hour in the Theatre" and will consist of three scripts averaging 15-20 minutes in length. We are holding auditions for one of those three plays, called "As We Liked It." This play is written in rhyming iambic pentameter and is both a critique and a gentle parody of Shakespeare's "As You Like It". It also reveals, for the first time, who REALLY wrote the works of William Shakespeare. The play takes place in an English tavern in approximately the year 1600 and has three characters: Shakespeare, his contemporary Ben Jonson, and a barmaid. We would like to cast all three parts with actors age 20-40: two men, one woman. First Baptist Church is next to the Methodist Church (on State Street) and has its front entrance at 512 E. Huron Street and its back entrance on Washington Street. The Washington St. side is the best entrance to use and has a parking lot which you are welcome to use if there are free spaces. Auditions on May 22 and May 24 will be held in the basement and there will probably be parking available. Auditions on May 25 will be on the first floor, and there probably won't be parking available. I'll post signs and/or watch for people. We hope you're interested and we'd like to see you on May 22, 24, or 25.
CastingInfoThe Tower Project is a commissioned, site-specific performance (20-25 minutes) at a private event, outside, using a three-story metal folly. Script is in development; performance theme is Rapunzel/woman in the tower. Casting two leads (M/F) acting/singing, and 5-6 aerial performers. This is a paid gig, budget TBD. Since the director is based in NYC, auditions are via email. Please send resume, headshot, and relevant performance links to Kathe Koja kathe AT kathekoja.com, to be forwarded to Michael Lluberes for final casting. Rehearsals will be onsite, w/o 6/17. The two leads will have at least one additional rehearsal with the music director, in Detroit/Ferndale area. The performers will have an onsite visit before rehearsals to familiarize them with the site. If you have any questions please contact Kathe Koja.
CastingInfoOpen Mic Night -singers only. All ages. Prize money awarded. This is a fundraiser for our NON-Profit community theater. Contact Kris Webb for further information.
CastingInfoUpdate on listing further down this page. The show will be performed for one week as part of outdoor events in Ypsilanti. Exact dates and times are still being negotiated, but we should know by the time of auditions. Also, main auditions will be May 16th only, with May 17th being used for callbacks. The UFO Show will be a sketch comedy show written and performed by the performers. We have several actors and writers already involved, but are still looking for a few more. If you have a short sketch to contribute (no longer than 7 or 8 minutes) please bring it. You do not have to write to perform, and you do not have to perform to write. If you play an instrument or sing or juggle or play a mean kazoo and have a short number to perform, we want to see it. No accompaniment will be provided, though, so be prepared to go for it on your own. We will also be showing short videos as part of the production. The only premise is that the writers and performers were abducted by a UFO, and when they were released, they created this show. You do not, however, have to write about aliens or UFOs. Contact Tim Henning with headshots and resumes at info@emergentarts.com, or with any questions you may have. This is non-Equity. A small honorarium will be paid for participation, and the opportunity to make a percentage of program ads and/or tickets sold.
CastingInfoSpirit Uncle Productions is a new theatre company. Its mission is to perform staged readings of original scripts. Our first show will be called "An Hour in the Theatre" and will consist of three scripts averaging 15-20 minutes in length. We are holding auditions for one of those three plays, called "As We Liked It." This play is written in rhyming iambic pentameter and is both a critique and a gentle parody of Shakespeare's "As You Like It". It also reveals, for the first time, who REALLY wrote the works of William Shakespeare. The play takes place in an English tavern in approximately the year 1600 and has three characters: Shakespeare, his contemporary Ben Jonson, and a barmaid. We would like to cast all three parts with actors age 20-40: two men, one woman. We hope you're interested and we'd like to see you on May 22 or 24. First Baptist Church is next to the Methodist Church (on State Street) and has its front entrance at 512 E. Huron Street and its back entrance on Washington Street. The Washington St. side is the best entrance to use and has a parking lot which you are welcome to use if there are free spaces there.
CastingInfoFor more information about our theatre, visit our website, carriagehousetheatre.org. THE PLAY: In a small town, coaching little league is no walk in the park. Michael joins on as assistant coach to Don, who’s been coaching baseball for years. The coaches struggle to employ their differing philosophies on winning the game and enjoying the game. Can the two philosophies coexist? And what changes when the men’s personal lives are drawn into the game? MICHAEL: The new assistant coach of a small town little league baseball team. He believes the game is about enriching the kids and having fun. He has no experience, but is very excited about his coaching philosophy and isn't afraid to speak up about it. His son Frankie is one of the weaker players on the team. Very friendly, but not particularly open about his personal life. Widower. Never goes by Mike. DON: The veteran coach of a small town little league baseball team. He takes Michael on as assistant coach after his "friend" left the position. Does not care about much beyond winning games except perhaps the attention of the opposite sex. He does care about the kids and their experience, but he believes that baseball is meant to teach them how to be winners. His son Jimmy is the star player on the team... at first. Not afraid to criticize and confront Michael on his coaching philosophy. Unhappily married. Never goes by Donald.
CastingInfoAlex Kip, a Columbus native now working as an actor and playwright in New York, brings this play inspired by his experiences with cancer to his hometown where he was treated for a week of rehearsal and two performances. Alex was in his senior year in the BFA Musical Theatre program at the University Of Michigan when he discovered that he had cancer impacting his vocal cords. During the months of treatment that followed, Alex first lost his voice, then learned that he had a 15-30% chance of survival. The story of his recovery, and of the surprising discoveries he made along the way, are the basis for this inspiring play. My Other Voice will open this August at the Arthur Miller Theatre in Ann Arbor, Michigan in preparation for a proposed New York run. We need professional, hard-working, outgoing people in the business who can donate time to us for a small stipend. STILL SEEKING: DR. FOSTER: DR. FOSTER Late 30's-50's. Open ethnicity. ALEX's Doctor at the Hospital, head of department. His directness can be confused for insensitivity; overall, a warm doctor. Saves his energy for the patients who need it most.
CastingInfoDUE TO THE RECENT ATTACK ON BOSTN OUR PRODUCTION SHUT DOWN, BUT WE ARE PROUD TO SAY WE ARE BACK IN MICHIGAN AND READY TO BEGIN FILMING IN THIS BEAUTFUL STATE. AVAILIBLE ROLS ARE AS FOLLOWS- ALICIA- FEMALE EARLY TWEENTIES, SMALLER GIRL NERDY TYPE. DR. LEEALEEN - OLDER GENTALMEN LATE FOURTIES MALE LIBRARIAN - EARLY TWEENTIES DETECTIVE KNOXX- LATE TWEENTIES EARLY THIRTIES MALE DETECTIVE, FIT. MOTHER- LATE FOURTIES EARLY FIFTIES, MUST BE ABLE TO PLAY A WOMAN WITH BRAIN INJURY. WE LOVE EXTRAS TO ALSO LOOKING FOR MORE CAMERA CREW AND MAKE UP ARTIEST THIS FILM IS SUBJECT OF A THESIS PROJECT ALTHOUGH THE FILM WILL BE ENTERED IN FILM FESTIVALS AROUND THE MID WEST, THERE IS NO COMPOSITION FOR THE WORK ON THIS FILM, FOOD AND FILM CREDITS AND A FULL COPY OF WORK WILL BE PROVIDED. PLEASE CONTACT US FOR MORE INFORMATION
CastingInfoPeppermint Creek Theatre Company, the award-winning Lansing based theatre, is producing the musical "Bonnie & Clyde" to open their 2013-14 theatrical season. Auditions will be held on Friday, May 17 & Saturday, May 18 from 6-9pm both days. Those interested in auditioning should come prepared to sing a song in the style of the show that shows their range. An accompanist will be provided. Auditonees need only come to ONE NIGHT of auditions. Auditionees will be seen on a first come, first serve basis (no RSVP required). Please bring a headshot and resume if possible, or photos can be taken at the audition. Other details: - Auditions held at the Miller Performing Arts Center, 6025 Curry Lane, Lansing MI 48911 (two blocks west of the Miller/Cedar St intersection in South Lansing) - Rehearsals will be approx. Mon-Fri, 6-9:30pm - Performances will September 19 - 22 & 26 - 29, 2013 - For more information about the show and roles being cast, visit http://tinyurl.com/blusj2w - For information on Peppermint Creek, visit www.peppermintcreek.org
CastingInfoThe UFO Show will be a sketch comedy show written and performed by the performers. We have several actors and writers already involved, but are still looking for a few more. If you have a short sketch to contribute (no longer than 7 or 8 minutes) please bring it. You do not have to write to perform, and you do not have to perform to write. We will also be showing short videos as part of the production. The only premise is that the writers and performers were abducted by a UFO, and when they were released, they created this show. You do not, however, have to write about aliens or UFOs. Contact Tim Henning with headshots and resumes at info@emergentarts.com, or with any questions you may have. This is non-Equity. A small honorarium will be paid for participation, and the opportunity to make a percentage of program ads and/or tickets sold.
CastingInfoI held auditions and it turns out the Ann Arbor area was EAGER for a sketch/improv show to come in. So many people showed up! This show has already been cast BUT I am desperately seeking a co-director/stage manager. If you are someone who loves improv and sketch AND you can run rehearsals and are organized and roll well with all kinds of changing situations AND have a great attitude then I want to talk to you ASAP. I am having a blast so far and rehearsals are fun and great but I need another brain and more arms and legs! If you love multitasking and keeping all the elements, human and technical, of keeping a theater troupe going, give me a call or send me an email TODAY. Please and thank you.
CastingInfoThe Brass Tacks Ensemble is a local amateur theater group that produces plays with a focus on the relationship between actor, text, and audience--with very little else. ("No frills," as it were.) We have produced several Shakespeare productions as well as original work. This year we are producing Anton Chekhov's classic "comedy" (his word), "The Seagull." Described by its author as a play about love, the focus of this production will be the many (alas, unrequited) love relationships in the play with a special emphasis on bringing out some of the comic elements of the script that are often lost in Chekhov productions. We are seeking seven men, ages 20-65, and four women, ages 18-65, for roles in this production. There may be 2-4 nonspeaking roles as well. All roles are open. Please contact the director if you have any questions about the production, our process, or anything else.
CastingInfoMonday, May 13 6-9 p.m. Carrie Jay Studio Tuesday, May 14 6-9 p.m. Carrie Jay Studio Attend ONE of these two nights. Callbacks, if needed, will be held Friday, May 17 6-9 p.m. Carrie Jay Studio First rehearsal is Monday, May 20 6-9 p.m. Performance dates are July 26-28 Center for Performing Arts Dexter High School --Prepare 16-32 bars of a song from a musical --Bring SHEET MUSIC in the correct key; an accompanist will be provided --Bring acting resume and headshot/recent photo of yourself, if you have them --Complete audition form either online (dextercommunityplayers.org) or come early to fill one out at auditions (this will be available within a week). If you are cast, Dexter Community Players will ask for a $35 participation fee. --You will also be asked to read from the script -- Dress professionally (dressed up) in clothes you can move in --Be ready for improv games, come with an open heart, be yourself, have fun! Description: Have you seen the movie Big starring Tom Hanks? It is so fun, enlivening, charming, memorable, and poignant. Big, The Musical brings out the very best of the movie, and adds the opportunity to passionately communicate what is deep in each character's heart through the power of song. Audiences of all ages are going to love this contemporary, endearing, now classic story, brought to life onstage. It is fresh, fun, and reminds us each to celebrate our own inner child, and perhaps even more importantly, to reach out and allow our true inner selves to connect with others' and transform each other with authenticity and love. Big, The Musical is literally rejuvenating. Synopsis: The classic 1987 motion picture fantasy bursts onto stage in the unforgettable theatrical experience, Big, The Musical. When frustrated adolescent Josh Baskin wishes he were “big” and wakes up the next morning a 30-year-old man, he discovers there's much more to being an adult than he's bargained for – and learns we must all grow up at our own pace, in our own time. A witty, moving, insightful book by John Weidman and a dazzling, energetic, heartfelt, contemporary score by David Shire and Richard Maltby, Jr. makes the vibrant, funny and touching big, The Musical. The music, lyrics and book extol all the values of the grand tradition of musicals. The characters are dear and complex. It is hard to sit still when the dances take over. You can sing the songs. The words explore the interior child of the characters, and reach out to our own youthful hearts. Vision: Audiences for this fantastic show will be inspired to explore and rejuvenate their own inner child. Everyone who works on this production – be it onstage, behind the scenes, designing, selling tickets, promoting the show, or painting sets – will be inspired to look inside themselves and rediscover who they are and why joy is at the center of our being. We grown-ups often lose sight of the innocence, curiosity, and abandon of our youth. Big reminds us to embrace them. Big, The Musical turns our world upside down, and we get an opportunity to see from a refreshing point of view the joys of wonderment, discovery and self-truth. “Trust that I am enough,” we realize, as the curtain drops. This show gives grown-ups a chance to play, both as the characters and as themselves – which is really the same thing! My directing approach is very much about collaborative exploring, playing, discovering as we tell the story. Big, The Musical will be engaging, fun, inspiring and memorable for all who create and attend the show. Cast: Cast size: Large (over 20) Cast Type: Children in Cast, Older Role(s), Star Vehicle - Male, Strong/Large Chorus Dance requirement: Standard (Musical Staging/Some Dance/Optional) Casting notes: Large Ensemble Including Children Character Breakdown ABIGAIL Susan's friend ADULTS ARTHUR LIPTON MacMillan Toy Company executive BEAN BAG TOSS LADY BILLY KOPECKI Josh's best friend CHILDREN CYNTHIA BENSON Age 14 DEREK Age 16 DETECTIVE DIANE Susan's friend DISTINGUISHED VOICE FAT GUY GEORGE MACMILLAN Owner of MacMillan Toy Company JOSH BASKIN JUNIOR EXECUTIVES MISS WATSON Josh's secretary at MacMillan Toy Company MR. BASKIN Josh's father MR. KOPECKI Billy's father MRS. BASKIN Josh's mother MRS. KOPECKI Billy's mother NEIGHBORHOOD GIRLS AND BOYS NICK Susan's friend P.A. ANNOUNCER PANHANDLER PAUL SEYMOUR Vice-President for Product Development at MacMillan Toy Company RECEPTIONIST RICK BIRNBAUM MacMillan Toy Company executive RON BARRETT MacMillan Toy Company executive SALES PEOPLE #1, #2, #3 SECRETARIES SUSAN LAWRENCE Vice-President of Marketing at MacMillan Toy Company TICKET TAKER TOM Susan's friend YOUNG JOSH BASKIN Age 12 ZOLTAR The stage version of big has fleshed out the characters who are familiar from the 1987 film (for example, the mother has a ballad about how much she misses her son; Billy, Josh's best friend, sings with scorn about being stood up at the mall). The music is contemporary, the relationships are well-rounded, and the story is charming. My rehearsal approach is to explore with the cast these authentic relationships. In developing characters, I encourage each actor to bring their own quirks, talents, passions and interests to play with in rehearsal, as we make each character real, well-rounded and unique. I create an open, playful, and professional rehearsal environment that is safe, fun and freeing to work in. Big, The Musical is great for our community, with a wide range of ages and fun characters. There are a number of scenes, songs and dances for younger actors. These will be filled by teens and middle-school aged children. And there are the office workers, toy store employees, and friends of Susan whom are adults. Big, The Musical, is a large, family-friendly, comedic and poignant musical that will pack 'em in and be a thrill to work on for all of us. See you in May! Carrie Jay Sayer Director
CastingInfoLes Miserables tells the story of Jean Valjean, freed after 19 years of unjust imprisonment into the harsh world of 19th Century France. In Jean’s struggle to reinvent himself, he breaks his parole and is pursued by a relentless police inspector, Javert. History and humanity collide in this musical adaptation of Victor Hugo’s immortal tale. There are featured roles for four women ages 18-40; five men ages 20-45; one boy and one girl, ages 8-10; plus an ensemble of men and women of all ages and a children’s chorus of boys and girls ages 8 and up. All auditioning will be required to sing 32 bars of a song of their choice (not from the show) and bring sheet music. There will be a movement and dance component of the audition, so those auditioning should wear appropriate shoes. Those auditioning need attend only one regular audition session but should be available for callbacks.
CastingInfoUMGASS will be presenting The Yeoman of the Guard by Gilbert and Sullivan at the Lydia Mendelssohn Theater December 5 - 8 2013. We are currently accepting petitions for all production staff positions. Petitions will be reviewed on a rolling basis and will close June 1. If you are interested in petitioning please email umgass@umich.edu including a resume. Petitions will be held by the UMGASS Board throughout the beginning of the summer. Production staff positions include: Artistic Director, Music Director, Set Designer, Costume Designer, Technical Director, Properties Manager, Stage Manager, Lighting Designer, Makeup Designer, and Graphic Designer.
CastingInfoMY OTHER VOICE is based on Alex Kip's true story, offering a moving, surprising, and inspiring portrait of a young adult’s life-threatening battle with cancer. During Alex’s senior year in the prestigious Musical Theatre program at the University of Michigan, the Broadway bound singer first loses his voice, and then learns he has a 15-30% chance of survival. His world is turned upside down; yet he finds he is not alone when he meets Amy, another adolescent survivor. The crippling loss of his voice, his recovery, and the discoveries he makes along the way, shines light on Alex’s darkest hours, transforming him and the characters he meets. They discover humanity, humility, humor, and, ultimately, what it really means to sing. CASTING BREAKDOWN: CAST OF EIGHT ACTORS (Actors will be playing multiple roles:) ALEX- 22 year-old attractive Caucasian male. Very fit, starts the play with a very cocky attitude. Gets his strength and determination from his father and his soul from his mother. The love of his life is his singing voice. LILI- 18 year-old Caucasian female. ALEX's sister. A Sorority girl at University of Kentucky. Very attractive, slightly ditzy, somewhat lazy, but ultimately very smart. Not passionate about many things. ALEX has always been her hero and she would do anything for him. WILL- Mid 40's Caucasian male. ALEX's father. In very good shape. Had a traumatic brain injury when he was ALEX's age and has never quite been the same. Very fit, quirky, short temper, and often intimidating without meaning to be. Great love for his family but not good at showing it. CELIA- Late 40's Caucasian female. ALEX's mother. She is the ultimate caregiver. Has a heart of gold and would do anything for anyone. Ultimately would sacrifice her life for her loved ones. The glue that holds the family together and ALEX's main source of strength. DEVON- 22 year-old Caucasian attractive female. She's an MT student in ALEX's class, one of his best friends, and also his roommate. Extremely talented vocally and obsessed with her vocal health. Cliché MT girl. AMY- 19 year-old attractive female. An extremely warm, generous, kind soul that is later revealed to be a cancer patient. She's a musical volunteer with an angelic voice who plays guitar for patients. DR. FOSTER- Late 40's Caucasian male. ALEX's Doctor at the Hospital, head of department. His directness can be confused for insensitivity; overall, a warm doctor. Saves his energy for the patients who need it most. FLETCHER- 22 year-old Caucasian male. Somewhat attractive but not much confidence in himself. Considers himself a player though he never succeeds and constantly listens to hip-hop music. Truly a bit of a deadbeat. ALEX's best friend since high school. *Equity/Non-Equity are encouraged to audition. If Equity, you will be under a “Level II Special Appearance Contract.” If Non-Equity, a $200 stipend will be given to each actor. MY OTHER VOICE has been selected as a finalist for the Araca Project in New York City which could result in future employment opportunities Off-Broadway in NYC. Artistic director of Theatre 167 (NYC), Ari Laura Kreith will be directing the world premiere. For more information, including news stories, press, and details about our creative team visit www.akipprod.com
CastingInfoFor their third summer foray in West Park, Ann Arbor’s Penny Seats theatre company will be presenting the musical Little Me. Auditions for the show will be held at the Ann Arbor Senior Center (1320 Baldwin Avenue) on Sunday, May 5, 4-9 pm (open call) and Monday, May 6, 6-10 pm (callbacks). Any actors who are unable to attend on Sunday are welcome to audition on Monday night. Principal actors cast will be paid a small honorarium. Written by the stellar team of Neil Simon/Cy Coleman/Carolyn Leigh, the musical Little Me, originally choreographed by Bob Fosse, is perhaps best known for contributing the songs “I’ve Got Your Number,” “Real Live Girl,” and “The Other Side of the Tracks” to the catalogue of American pop standards and for comedian Sid Caesar’s Tony-nominated turn playing six different characters. Little Me is the autobiography of the optimistic, yet spectacularly accident-prone, Hollywood star Belle Poitrine (née Schlumfert), who rises from poverty on the wrong side of the tracks - to wealth, culture and a position in society, wooing many men along the way. Directed by Shannon McNutt, who has worked extensively throughout Southeast Michigan, teaches in Canton, and is a professional actress herself, Little Me will run from July 11-13, 18-20, 25-27 in West Park. All shows start at 7:00p.m. with picnicking beginning at 5:30p.m. The rest of the production team includes JP Hitesman (producer), Victoria Gilbert (choreographer), Rebecca Biber (music director), and Sean Murphy (technical director). Character descriptions and synopsis follow. Music cuts will be available on the Penny Seats website at www.pennyseats.org. Memorization is not required but please be prepared to sing vocal selections from the show as well as read from the script. If you have questions, please email info@pennyseats.org or call 734-276-2832 Synopsis Little Me is the autobiography of the optimistic, yet spectacularly accident-prone, Hollywood star Belle Poitrine (née Schlumfert), who rises from poverty on the wrong side of the tracks --- to wealth, culture and a position in society. She was born in Venezuela, Illinois and lives with her highly dubious Momma. In her teens, Belle set her sights on Noble Eggleston, who lives on the right side of the tracks, but whose mother puts an abrupt end to their ambitions. Biding her time, Belle succeeds in landing a rich, 80-year old, skinflint, Mr. Pinchley. When he dies under suspicious circumstances, Belle is arrested and put on trial for murder. She is acquitted; however, the notoriety of the trial brings her a vaudeville offer and romance with Val du Val who modestly considers himself to be the world's greatest entertainer. Further romances develop for Belle along the way, including the myopic Fred Poitrine, Prince Cherney of Rozenzweig and the imperious film director, Otto Schnitzler. Each romance, in some unexpected way, advances both Belle's career and her fortune. Each romance however, ends in bizarre circumstances ---- nothing simple for our Belle! Fred Poitrine dies as a result of lodging his finger in a typewriter, Val du Val is drowned when the ship on which he and Belle were returning to America sank. By suing the steamship company, Belle becomes very rich and Hollywood claims her. Otto spears himself on a stage dagger. Prince Cherney suffers a hearts attack after losing everything gambling in the casino in Monte Carlo, where he had staked everything on a number that Belle had chosen. Belle nurses him and in gratitude, Prince Cherney makes her the Countess Zoftig. At last Belle has social status. Finally, after much misunderstanding and partner changing, Belle walks off into the sunset with her reformed alcoholic, Noble Eggleston. ABOUT THE PENNY SEATS: Founded in 2010, we’re performers and players, minimalists and penny-pinchers. We think theatre should be fun and stirring, not stuffy or repetitive. We believe going to a show should not break the bank. And we find Michigan summer evenings beautiful. Thus, we produce dramas and comedies, musicals and original adaptations, classics and works by up-and-coming playwrights. We also provide cabaret shows, acting classes, and wacky improv evenings. And you can see any of our shows for the same price as a movie ticket. FOR MORE INFORMATION about The Penny Seats call at 734-276-2832 or Visit: www.pennyseats.org.
CastingInfoTravel back to the legendary, story-telling days of ancient China with this action-packed stage adaptation of Disney’s Mulan. The Huns have invaded, and it is up to the misfit Mulan and her mischievous sidekick Mushu to save the Emperor! Disney's MULAN JR. is a heartwarming celebration of culture, honor and a fighting spirit. The score includes favorites like “Reflection,” “Honor to Us All” and “I’ll Make a Man Out of You” as well as new songs that will get your audience up on its feet! Auditions - Saturday, April 20, 2013 - 9am to 11am Orientation - Saturday, April 27, 2013 - 9am to 11am Saturday Practices - 9am to 11am Performances - Saturday, July 13, 2013 and Sunday, July 14, 2013 Farmington Civic Theater 33332 Grand River Ave. Farmington, MI 48336 More information available at shiningsproductions.org
CastingInfoSeeking non-caucasian male to portray a gay male for upcoming comedic relationship-based web series. We are looking to portray homosexuality seriously and realistically, even though the show is a comedy. Looking for someone who is or could look like you're in your early twenties. Because our regular auditions are over, please respond to this post, with the following, to DNTedesco@gmail.com: - Brief history of your acting experience. - Headshot or portrait - If you have a webcam, camera phone, or other video camera, a short attached video (or YouTube video) explaining a little bit about yourself. We are going to try to get Kickstarter funding. If that goes through, you'd be paid $10/hr.
CastingInfoTHIS FILM WILL BE A THESIS PROJECT, IT WILL BE ENTERED INTO A FEW FILM FESTIVALS IN THE AREA, NO COMP FOR THE FILM HOWEVER FOOD AND FILM CREDITS WILL BE PROVIDED. THE FILM IS DARK WE ONLY ASK FOR ACTORS WHO ARE ABLE TO PULL IMAGINATION TO REALITY.. ALSO SOME IMPROVE WILL BE NEEDED FOR A MORE REALISTIC APPROACH. ACTORS SHOULD BE PREPARED FOR A CALL BACK
CastingInfoTHE BOOK OF MORMON will be coming to Ann Arbor, MI to hold auditions April 7th by appointment only. We are looking to build our files for future replacements for all three companies (Broadway, 1st National Tour, Jumamosi Tour) for the roles of ARNOLD CUNNINGHAM, KEVIN PRICE, NABALUGI and ELDER MCKINLEY etc. (See role descriptions below.) Anyone interested in auditioning for any or all of these companies should submit a picture and resume and any additional materials to jrichcasting@gmail.com by 2PM Saturday, April 6th 2013. Please make sure you put the City Name of the audition in the subject line. Due to the amount of emails we receive, we may not be able to respond to every submission. Please note that submitting does not guarantee an appointment. Both Union and Non-Union should submit. SHOW INFO: Producer: Anne Garefino & Scott Rudin Director: Trey Parker & Casey Nicholaw Book, Music & Lyrics: Robert Lopez, Matt Stone & Trey Parker Music Supervisor: Stephen Oremus Choreographer: Casey Nicholaw Ann Arbor Casting Director: Jeremy Rich Casting Director: Carrie Gardner ARNOLD CUNNINGHAM (Early 20's-Late 20's to play 18): Caucasian. Seeking a true character actor. Must be a physical contrast to the other good looking, All-American Mormons. Dweeby, dorky, nerdy, overweight, or all four combined. Arnold is a pathological liar but his heart is in the right place. He is a total screw-up but not for lack of trying, he always wants to do the right thing. Must be fantastic comedic actor who sings well. Tenor. We are also particularly interested in comics who sing. KEVIN PRICE (Early 20’s-Late 20’s to play 18): Caucasian. All-American. Very handsome. Head of the class, always optimistic. Heroic Mormon. Must be a great comedic actor and a fantastic pop-rock high tenor to a B. Should be at least 5’10 or taller. NABALUNGI (18- Late 20’s to play 20): Black African. Pretty. Takes the hardships of her village very seriously and wants to help her people find a better life. Must have great comic timing. Strong Alto. Belt to an E. ELDER MCKINLEY (early 20’s to late 20’s to play 18): Caucasian. District leader of the Mormon missionaries in Uganda. All- American, wide-eyed and hopeful. Often struggles to cover his flamboyant tendencies and adhere to his Mormon morals. Must be a fantastic comedic actor and great singer. High Baritone who can pop out high Bb's for comedic effect. [MAFALA HATIMBI] (40’s): Black African. Father of Nabalungi. Has come to accept the hardships in the village where they live but is a discerning community leader and tries to bring joy to their lives. Must be a great comedic actor and singer. Also interested in actors who sing. PRICE’S DAD/MISSION PRESIDENT/VARIOUS ROLES) (40’s): Caucasian. All-American good looks and physique. Plays several parts from the perfect picture of a head of a Mormon household, to the stern missionary president, to Joseph Smith, so must have the ability to be transformative. Must be a great comedic actor and good singer. High Baritone to an Ab. [GENERAL] (Late 20’s to Late 30’s): Black African. The general is a warlord in Uganda who is terrorizing the local villagers. A physically threatening and intimidating figure who is a great comedic actor and singer. Baritone to an F. [FEMALE AFRICAN VILLAGERS] Late 20’s to late 30’s. Black African. Seeking great comedic actresses with excellent singing voices. Seeking Altos, Gospel Sopranos and Gospel Belters of all physical types.
CastingInfoCarriage House Theatre is a small community theatre on Ann Arbor's Old West Side. For more information about us, visit our website, carriagehousetheatre.org. The Play: Anna is a Swiss artist who makes beautiful collages out of trash she finds on beaches. At a gallery opening of her work, she meets Pierre-Luigi, a Bolivian restaurateur who discovers his dentures in one of her pieces, and Aldo, an American trash collector looking to make a fresh start in Switzerland. Anna begins seeing Aldo and starts a correspondence with Pierre-Luigi. But with each person running from their past, can any of them hope to find their place in the world? A poignant comedy about love, loss, teeth, and new beginnings. Characters: ANNA (20s-30s, F) - a Swiss-German artist. Enigmatic, humble, stubborn, with peculiar taste. PIERRE-LUIGI (20s-40s, M) - a Bolivian restaurant manager. Enthusiastic, charming, and deeply insecure about his teeth. ALDO (20s-40s, M) - an American ex-garbage man, always in the wrong place at the wrong time. DR. BOB (30s-50s, M) - an American dentist who dreamed of being a sculptor. Not a brave man. LINDA (20s-40s, F) - an American underwater archaeologist. Upbeat but terribly unlucky (the actor playing Linda also plays CONSTANZA, an eccentric art dealer who wants to be Anna’s agent). CAMILLA (30s-40s, F) - an English sculptor, Anna’s sister-in-law. Forthright, chatty, bitter about her husband’s infidelity (the actor playing Camilla plays the REPORTER who covers Anna’s art exhibit).
CastingInfoAuditions for the final show of Lakeland Players 54th Season “The Mousetrap” will officially be Friday March 22nd, Saturday March 23rd, and Sunday March 24th at 7:00 PM at the Central United Methodist Church, 3882 Highland Road, Waterford MI, 48328. Show dates will be June 21st, 23rd, 26th, 28th, 29th, and 30th at 7:30 PM. There will be no matinee performances of “The Mousetrap”. For more information, please, visit lakelandplayers.net.
CastingInfoTHIS IS A FEATURE FILM THAT WILL BE IN MANY FILM FESTIVLES, THIS IS A NON PROFIT FILM, ACTORS AND CREW WILL RECIEVE MEALS AND CREDITS AS WELL AS A FINISHED COPY OF THE FILM. THIS FILM WILL BE SHOT IN AND AROUND THE ANN ARBOR AREA
CastingInfoAuditioning for improvisors/actors from ages 16-70 to form our core cast. All sizes shapes colors genders welcome.The auditions will consist of readings from scripts and improv games. If you have a character I would love to see it. Bring an original monologue if you have it. Be prepared to have fun. We are creating a regular Thursday night sketch show in downtown Ann Arbor. We are also interested in whatever skills you may bring-video editing, animation, musical talent, etc. Those interested only need to come to one audition day. Arrive between 5:30-6 to warm up and fill out an audition form.Please call Shelly Smith if you need more info.
CastingInfoUofM student production Blessing in the Family is holding open auditions. Blessing in the Family is a Multi-Camera Sitcom that will be showcased a Lightworks! Below are the character descriptions: Please note all characters ethnicities and ages are flexible. Jeff Beben – (Male) (Age 18-22) (Ethnicity-Any) Ambitious, outgoing, and at times nerdy. Jeff is Zeina’s boyfriend. He creates Youtube videos for a production company he runs with his friends. Zeina’s family feels that Jeff is not good enough for Zeina and he should get a real job and stop living in his television production fantasy; regardless of Zeina’s family opinion, Jeff is determined to prove he is good enough for Zeina Bakri – (Age 18-22) (Ethnicity-Middle Eastern) (Male) Optimistic, but inept. Having grown up fixing his neighbors’ cars in the street, Bakri has received no education apart from personal experience. The Habibs hire him to replace Zeina at the auto service. Though his intentions are good, Bakri often causes more problems for the family gas station. Mahmoud “Baba” Habib –(Male)(Age 50-65) (Ethnicity-Middle Eastern Wise, yet overworked. The owner of the gas station, Baba has his two kids and Aunt Jew Jew working at his business. He is an old country man, wanting Zeina and Tariq to be true to their culture. Baba’s relationship with Zeina is tested due to her reliance on being a free spirit, but he pardons her for her hard work. As a widower, Zeina often reminds Baba of her mother. Aunt Jew Jew –(Female) (Age 50-65) (Ethnicity-Middle Eastern) Loving, embarrassing, but tough. Aunt Jew Jew is the charming aunt who is literally not afraid to get her hands dirty. She works at the gas station, handling the auto repair shop and tow service. Her attachment towards Zeina and Tariq often makes them embarrassed to be around her. One of her joys is teaching Zeina how to be a grease monkey.
CastingInfo45 Summers at the Croswell Directed by Betsy Lackey; Music Director TBA; Choreography by Allison Steele Featuring Michael Lackey’s return to the Croswell stage for this very special once in 45 years event, 45 Summers at the Croswell will include songs from some of his most memorable performances. Many more of Croswell performers are also needed to make this wonderful review of highlights from 45 years of making spectacular summer musicals! A large singing and dancing ensemble and solo vocalists are required for this musical review. All ages and musical styles are represented, so anyone may audition for this show.
CastingInfoThe return of a Broadway classic! Terrific tap dancing and sensational singing abound in the song and dance fable of Broadway. When leading lady Dorothy Brock breaks her ankle and can’t go on, Peggy Sawyer, fresh off the bus from Allentown, PA, is plucked out of the chorus to save the show. Great songs from the show include: “We’re in the Money,” “Lullaby of Broadway,” and of course, “42nd Street.” Roles in 42nd Street include: Peggy Sawyer (mezzo) - Fresh off the bus, Peggy is a nervous young chorus girl who is called on to play the leading role in a Broadway musical when the star falls and breaks her ankle. Very strong dancer required. Dorothy Brock (alto) - A Broadway star with years of experience, clearly past her prime. She is injured during rehearsal for her next Broadway show, and finds that life outside the theatre isn’t so bad. Julian Marsh (baritone) – The director of the Broadway show, “Pretty Lady,” Julian Marsh is a hard driven, tense man who comes to appreciate things through the course of the show. Billy Lawlor (tenor) - The leading actor in the show "Pretty Lady." Billy is a bit of a ladies’ man and quickly falls for Peggy. His support helps Peggy overcome her nervousness and ultimately be successful as a leading lady. Ensemble of many character and dancing roles. Not all ensemble members need to dance, though strong tap dancers are required for some roles in the show.
CastingInfoIn this fantastic show, The Bikinis, or "The Jersey Girls," relive their heyday and beyond, beginning in the summer of 1964, the night these four inseparable girls got their name, winning the Belmar Beach Talent Contest wearing their bikinis! The boardwalk was smitten with the four teens, and their songs, including “It’s In His Kiss,” “Heat Wave,” “Under the Boardwalk,” “These Boots are Made for Walkin’,” “I’m Every Woman,” and many, many more. And now it’s the new millennium and The Bikinis are getting back together. Don’t miss this reunion of one of the boardwalk’s favorite groups! Roles in The Bikinis include: JODI: 50ish. Annie’s older sister, Jodi is always in control and passive aggressive. She is a corporate success with a failed marriage. Vocally gravitates to the pop world. ANNIE: 50ish. Jodi’s younger sister who is still a bit of a hippie. Annie never married, but took care of her parents at Sandy Shores RV Beach Resort in Florida. Annie is a folk and rock and roll singer. KARLA: 50ish. Jodi and Annie’s “fun loving” cousin from Philly. As a teenager, Karla she was wild, and she still likes to stir it up. She still loves her husband after 25 years of marriage. Vocally, lives in the rock/pop world. BARBARA: 50ish. Their best friend from Staten Island. Says what she thinks with no apologies. Barbara never thought she could love anything more than THE BIKINIS and R&B, until she met her husband, Benny. BETTY: 60ish. Owns “Betty’s Bootie”, the antique and collectibles shop across the street from Sandy Shores RV Beach Resort. Found the old forty-five on Ebay that became the motivation for getting The Bikinis back together. This is a non-singing role, without lines, but an important character to the storyline.
CastingInfoShrek, based on the Oscar-winning film, brings the hilarious story of everyone’s favorite ogre to dazzling life on the stage! In a faraway kingdom turned upside down, things get ugly when an unseemly ogre shows up to rescue the feisty princess. Throw in a donkey who won’t shut up, a bad guy with a short temper, a cookie with an attitude, and other fairytale misfits, and you’ve got the kind of mess that calls for a real hero. Luckily, there’s one on hand – Shrek! Full of all new songs, great dancing, and some of the biggest scenery ever on the Croswell stage, Shrek the Musical is part romance, part twisted fairy tale, and all irreverent fun for everyone! Roles in Shrek, the Musical, include: Shrek – Prides himself on being a big, green, terrifying, ogre. Kicked out by his ogre parents at the age of seven, Shrek lives happily alone in his swamp, until it is overrun by fairytale characters. To regain his peace he sets out on a journey to save a princess, making friends, and finding his own peace along the way. Actor must be able to wear body makeup and latex appliances. Princess Fiona – The Princess of Far, Far Away, and the daughter of King Harold and Queen Lillian. A transforming spell has been cast over Fiona, which turns her into an ogre every night. Only true love’s kiss will break the spell. Lord Farquaad – The comically short, ruthless ruler of the castle of Duloc. Lord Farquaad will stop at nothing to become king. Donkey – On the run from Farquaad’s guard, talking donkey accompanies Shrek on his trip to save Fiona. Dragon – Female dragon who has been charged with guarding Princess Fiona in her isolated castle. Will likely be portrayed by a group of 3 – 5 puppeteers, and a very strong female vocalist. Ensemble – A large group of youth and adults who have many character roles to play, including young Shrek (aged 7,) Young Fiona (aged 9 and 15), fairytale creatures, dancing rats, Farquaad’s guards and more. Not all roles require dancing, though strong dancers are encouraged to audition.
CastingInfo9 to 5, the Musical With music and lyrics by Dolly Parton, and book by Patricia Resnick, this musical is all about teaming up and taking care of business! It’s the late 1970s and three female co-workers concoct a plan to get even with the sexist, egotistical, lying bigot they call their boss. The three conspire to take control of the company and learn there really is nothing they can’t do! 9 to 5, the Musical, is a hilarious story of friendship and revenge – it’s outrageous, thought provoking and even a little romantic. 9 to 5, the Musical contains adult situations and language. Roles in 9 to 5, the Musical include: Violet – The Company’s head secretary and Mr. Hart’s administrative assistant. She’s a single mother and typically stands up for what she believes in. Attractive, strong and ambitious. Doralee - A smart, young, sexy spitfire who works with Mr. Hart. Doralee is proof that there is more to a woman than just her looks. Judy – The new girl at the firm, she’s been burned by her husband’s affair and is searching for personal empowerment. Insecure, determined, and hopeful. Roz – The attentive office gossip queen and snitch. She has an unrequited love for Mr. Hart and will do anything to win his approval Franklin Hart – A notorious chauvinist, also the executive in the office. He is capable of faking charm, but usually shows his true colors as an arrogant, self-absorbed boss. Josh – Violet’s teenaged son. Dick – Judy’s soon-to-be ex-husband. An average guy. Dwayne – Doralee’s attractive husband. He’s very supportive of her professional pursuits. Ensemble – Many character roles and strong dance parts are available for the ensemble of 6 - 8 men and women.
CastingInfoLewis & Clark were one of the great Vaudeville comedy teams. On-stage, they went together like peanut butter and jelly. Off-stage, they were like oil and water. They kept it together for forty-three years until Al Lewis suddenly split up the act and retired, much to the dismay of his partner, Willie Clark. Now, eleven years later, CBS has made them an offer to reunite and be a part of their History of Comedy TV special. Convinced by Willie’s long-suffering agent/nephew, Ben, they agree to give it a try. What will happen when these two stubborn, aging comics get together again? Can they set aside their differences one last go ‘round or will Al give Willie “the Finger” one more time? Neil Simon’s hilarious and poignant script provides these answers and much more. Available Roles: Willie Clark: Stubborn and cantankerous but lovable in his own way. Willie hasn’t worked in years, but he can’t stand the idea of retirement. Age: 60 - 70 Al Lewis: Willie’s former partner has been retired and living quietly with his daughter’s family for the past eleven years. Age: 60-70 Ben Silverman: Willie’s oft put-upon, endlessly frustrated nephew/agent. Age: 30 – 40 Young Nurse: Attractive and voluptuous. Part of Lewis & Clark’s routine for the History of Comedy TV special. Age: 20’s Patient: Part of Lewis & Clark’s routine for the History of Comedy TV special. Age: 20 – 60 Eddie: Assistant director for the CBS television special. Age: 20 – 40 Registered Nurse: Willie’s experienced no-nonsense caregiver. Age: 40 – 60 Note: Actors auditioning for the roles of Willie and/or Al should also be prepared to read through Abbott & Costello's "Who's on First" for the audition. Audition scenes are available upon request from the director.
CastingInfoChelsea Area Players seeks resumes for additional paid production staff positions - Producer, Costumer, Technical Director, and Hair/MakeUp. Staff positions are paid a stipend. Please email any info to the forementioned e-mail addresses or to Chelsea Area Players, P.O. Box 301, Chelsea, MI 48118
CastingInfoSee our website for our high-tech, production format: http://www.mixedcompanytroupe.com This show is a benefit for the Ronald McDonald House, Detroit. Pay is $100 per night. Casting for one remaining female role: Kendra (professional woman, 30 - 45 in age) Plot line: Kendra's anniversary date at a fine restaurant is disrupted by a beautiful young lady, Jasmine, who sees their table as "a lot more fun than the table where I was dining". The easily duped husband, Garrett, invites the young lass to join them... much to Kendra's disdain. After several silly games that Jasmine initiates—all of which are laced with flirtation—the wife draws to her husband's attention that his wallet and all of his valuables have been stolen. Even the shoes off of his feet! After getting back his possessions, Garrett is sent to fetch the car. Kendra then pays off Jasmine, in secret—Jasmine is actually a hired actress—for teaching her husband a lesson. This has all been a carefully-contrived lesson to deter him from the embarrassment brought on by his incessant skirt-chasing.
CastingInfoThose auditioning need attend only one of the regular auditions but should be available for callbacks. In Chess, the composers of Mamma Mia! and the lyricist of The Lion King team up to create a grandiose rock musical set during a chess championship between the USA and the USSR. The pawns in the game are a loutish American chess star, an earnest Russian champion, and a Hungarian-American female assistant to the American who falls for the Russian. There are featured roles for two women ages 30-40 and seven men ages 30-65, plus a 16-member singing ensemble and 12-member dancing ensemble. All auditioning will be required to sing in 16-32 bars of a song of their choice (contemporary rock musical songs are ideal) to the initial audition and bring sheet music. Those auditioning may bring and sing to a CD if they wish. All auditioning are required to learn a short dance with the choreographer during the initial auditions.
CastingInfoThose auditioning need attend only one of the regular auditions but should be available for callbacks. The Lion in Winter tells the story of King Henry II and his estranged wife, Eleanor of Aquitaine. Driven to imprison his wife for attempting to overthrow him, Henry II brings her to his castle at Christmastime where the verbal sparring and machinations among Henry, Eleanor, and their scheming sons has earned the play the nickname, "Shakespeare Lite." There are roles for five men ages 16-55 and two women ages 20-65.
CastingInfoWe are looking for actors, singers, and dancers for the new musical and senior composition thesis “Momentum,” to be performed Saturday, April 6th, in the McIntosh Theatre on North Campus. Please contact the composer Rena Steed at renas@umich.edu if you are interested to schedule an audition! SHOW PREMISE: “Momentum” is a senior composition thesis about engineering students at U of M who tango dance. “Momentum” is a show about relationships, and explores one of the most annoying questions of our generation: "Why are we all still single?" Featuring fourteen musical numbers, “Momentum” takes you on a musical journey through a tango club community on a college campus, where two girls who are new to Argentine tango set out to uncover why there are so many engineers in their university tango club. Entertainment ensues. CHARACTERS: Ben - Tenor, engineer Bill - Tenor, engineer Aadi - Tenor, Physicist N - Tenor, engineer Zelda - Mezzo sop, engineer Kate - Mezzo sop, artist Javier - Baritone, tango instructor Violet - Soprano, tango instructor Roxanne - non-singer, tango dancer Kyle - non-singer, hipster Chorus members needed as well! Rehearsals, starting February 26th, will be: Tuesday nights (or Wednesdays, if need be—it’s flexible) 9pm-11pm - dialogue/blocking Saturday afternoons 3pm-8pm - music/tango-choreography/staging We will meet twice a week (Tuesdays and Saturdays) the only exception being spring break, when we will only meet on Saturday, March 9th. The week of April 6th we would have two dress rehearsals before Saturday the 6th. Again, I'm willing to adjust schedule time, so please let me know if you are interested but have conflicts. Please spread the word!
CastingInfoCombining the spectacle of circus with the drama and whimsy of a musical, this is a unique show that will delight and capture the imaginations of the audience members young and old alike! Follow the ups and downs in the life of the great P.T. Barnum, as he struggles to create the greatest show on earth; Barnum and Bailey's Circus. Character descriptions available on Spotlight's website; open to adults and children!
CastingInfoTo complete an application please go to our website: ptdproductions.com. Follow the instructions and submit completed application to Mary: fromalwaystoforever@yahoo.com and for questions, concerns or more information please contact Jim: jimdowling@comcast.net. Deadline for applications will be May 20, 2013
CastingInfoWe are seeking submissions for our first annual Playwriting Competition. One original play will be selected for a staged reading of the work. Please visit our website for more details.
CastingInfoIn this charming original adaptation of Anne of Green Gables, from the beloved book by Lucy Maud Montgomery, spunky redhead Anne Shirley, an orphan, is adopted by an elderly brother and sister. Anne learns the ways of their farm and the Cuthberts learn what it’s like to raise a spirited, loving child. Anne of Green Gables has roles for 16-18 young actors in GRADES 4rth-12th. Those auditioning should arrive at the beginning of one of the regular audition dates and should plan to stay the whole time. Auditions will consist of a mix of theater games and cold readings from the script. Those auditioning need to attend only one of the regular audition sessions, but should be available for callbacks. Rehearsals for Anne of Green Gables will be Tuesday and Thursday afternoons from 4-6pm and Sundays from 1pm to 4pm.
CastingInfoRoles available for 6 Women - 40's to 60's Roles available for 2 Men - 40's t0 60's The action in this rollicking comedy takes place in SPA-DEE-DAH! The abandonsed church-turned-day-spa where this group of women meet every Friday afternoon. After the loss of a dear friend, the women realize time is precious, and if they're going to change their lives and achieve their dreams, they have to get on it now! The comic tension mounts when a sexy ex-boyfriend shows up unexpectedly, a marriage prposal comes from an unlikely suitor and Sugar Lee's archrival vows she'll stop at nothing to steal the spa away from her. By the time the women rally together, you've got a side spliting, joyful comedy that will make you laugh out loud and shout "Hallelujah"!
CastingInfoAuditions are for the role of RUPERT. Based on Kathe Koja’s award-winning novel, Under the Poppy is the story of a very theatrical Victorian brothel, owned by Decca and Rupert, business partners and childhood friends. With war looming, Istvan – Decca’s brother, and Rupert’s great lost love – arrives in town with his puppet troupe, determined to win Rupert back. But the sinister and wealthy patron Jurgen Vidor has other ideas, as does Decca, whose life at the brothel is built on betrayal and lies.
CastingInfoDIRECTORS’ APPLICATION FOR THE 2013 SEASON Applications will be accepted from: Feb. 20, 2012 to May 20, 2013. PTD PRODUCTIONS is an all volunteer community theater. To apply to be a volunteer PTD director, please:go to PTDPRODUCTIONS.Com and complete the director's application on line. Follow the instructions and your application will be submitted. Remember the Deadline for applications will be May 20, 2013. If you have any questions or concerns please contact Jim Dowling at :jimdowling@comcast.net. We present four shows per season. First show of the season goes up in March, second, in June, Third Sept. and fourth in Dec. For more information please go to Ptdproductions.com and read through the application. OTHER IMPORTANT INFORMATION TO KNOW Once your application has been received and reviewed, an interview time will be scheduled with you to meet with the Play Selection Committee. Please bring: 1. A copy of the play that can be left for the committee’s use. (It will be returned to you after the selection process is completed). 2. Copies of 1- 3 selections from the play (no more than 10 pages total), that you feel best deliver the flavor of the play. Please include one copy for each character in the selection(s). (e.g. 4 characters, 4 copies) Please make a copy of this complete application for your own records, especially this ‘Instruction page’ as it has information for you to follow after submitting the application.
CastingInfoPlease email the producer at apaone@umich.edu to register for an audition slot and to be sent sides! "Death Brings Flowers" is a U of M student thesis film to be shot in February and March. Nina Marlow is lonely. Her sister Edie is bored. Both their lives become a bit strange when a dapper ghost shows up looking for romance. Equal parts fairytale, family drama and screwball sex comedy, Death Brings Flowers is a deadpan, honest, and cautiously optimistic tale of deciding who to love and discovering how to love. Nina (24): Nina is an independent spirit with a skeptical eye and wry sense of humor. She’s also terminally single and painfully shy, experiencing love mostly through black-and-white movies and spying on her neighbors. Her solitary life turns upside down when she meets a mysterious strange and decides to take a chance—the only trouble is, he’s dead. Edie (19): Edie is Nina’s opposite: beautiful, extroverted, oblivious, vain. She demands and receives the attention of every man in the room, but easy romances are starting to feel stale. Is she ready for a man who wants more from her than sex? And what happens when she falls for one who doesn’t even want that? Jimmy (25-30): The melancholy ghost of a Prohibition-era playboy. Jimmy believes he recognizes a kindred spirit in Nina, and he pursues her like a romantic lead straight out of classic movies. As hulking as Gary Cooper and as soulfully brooding as Henry Fonda, but with James Stewart’s civility: Jimmy’s personal is a curious mash-up of Hollywood masculinity which is literally too good to be true. Miles (22-27): A fast-talking barista of questionable character, who might offer Nina the chance of an affair with a real, live human being. Tom (18-22): A naïve, baby-faced police officer who falls for both sisters. Paul (19-21): Edie’s current boyfriend. A frat bro in touch with his sensitive side. Harry (28-50): A Bogart-like detective who exists in a film within the film. Nancy (19-40): Harry’s femme fatale love interest. Nigel (25-50): A diminutive, comic bartender in the film within the film. Vivian (19-35): A gorgeous, brooding patron at Nigel’s bar.
CastingInfoThe University of Michigan Museum of Art has funded several short film opportunities for local filmmakers. This particular project, called "Boy" will be an up close look at the body language and body movements of young American men. Casting one White American male to play sole actor in short film. Ages: 15-24 Gender: Male Race: White Body Type: Athletic build Please be prepared to audition in shorts and a tank top or other fitted shirt.
CastingInfoPlease prepare two contrasting 32 -bar musical theatre pieces, with the sound of the show in mind. (Songs from the show are OK.) Please be prepared to move. Please call 734-268-6200 or email thalia@theencoretheatre.org to schedule an appointment. Please include your name, phone number, preferred date and time of audition, and Equity status. Walk-ins are welcome, however auditioners who have existing timeslots will be given priority, as will Equity members. If you are unable to attend auditions, please send an email of intention with your headshot and resume to: thalia@theencoretheatre.org. If you have any questions, please contact Associate Artistic Director, Thalia Schramm at thalia@theencoretheatre.org. LES MISERABLES will begin rehearsals on June 11th, 2013. The show will run from July 11th, 2013 to August 11th, 2013 with a possible extension to August 18th, 2013. You must be available for every show including the possible extension. CHARACTER DISCRIPTIONS Jean Valjean (40-60, tenor) Prisoner 24601. Released from imprisonment after serving 19 years (five for stealing a loaf of bread and fourteen for multiple escape attempts). He decides to break his parole and turns his life around, proving that the corrupt can make themselves virtuous once more. He changes his identity, becoming the wealthy mayor of a small town. He later adopts Cosette, the daughter of Fantine. At the end he dies and the spirit of Fantine thanks him for raising her child. Javert (40-60, baritone) Respects the law above all else and relentlessly pursues Valjean, hoping to bring the escaped convict to justice. He firmly believes that humans cannot change for the better. In the end he commits suicide. Fantine (20-30, mezzo) A worker who loses her job and becomes a prostitute in order to pay the Thénardiers for the welfare of her daughter. As she dies of consumption, she asks Valjean to look after her child Cosette. Ultimately she appears as a spirit and escorts the dying Valjean to paradise. Young Cosette (6-12, mezzo) The daughter of Fantine, she is forced to work by the Thenardiers. Cosette (18-25, soprano) The daughter of Fantine, has become beautiful under Valjean’s adoptive care. She falls in love with Marius, and he returns her love. Eponine (14-21, mezzo/belt) Daughter of the Thenardiers, now ragged and a waif, secretly loves Marius. She is killed while returning to the barricaded to see Marius. In the end, she appears as a spirit and guides the dying Valjean to heaven. Marius (20-28, tenor) A student revolutionary, he is friends with Eponine, but falls in love with Cosette. Later rescued from the barricade by Valjean, who ultimately gives Marius and Cosette his blessing, allowing them to marry. Enjolras (21-28, tenor) The leader of the student revolutionaries and a friend of Marius. Mme. Thenardier (35-55, mezzo) Thenardier’s unscrupulous wife. Thenardier (40-55, tenor) A second-rate thief, Thenardier runs a small inn. Garvoche (9-16, tenor) A streetwise urchin who dies on the barricade helping the revolutioners. The Bishop (35-60, baritone) Houses Valjean after his release from jail and gives him gifts of silver and absolution. His acts of kindness inspire Valjean to improve himself and escape the label of “criminal”. (And many featured ensemble members)
CastingInfoCharacters: ME, man in his late 40s, early 50s (Actors auditioning for ME should be prepared to perform an improvised monologue.) SIR, man in his early 40s WOMAN, woman in her late 20s, early 30s TEEN, man in his early 20s **Actors will be paid a stipend for their work. Synopsis: A cluttered desk sits center stage. A man (ME) begins clearing the desk off and in the process recalling, reliving, and reinterpreting aspects of his life and marriage with the help of three characters identified as WOMAN, SIR, and TEEN. The three characters at times play the man, his wife, his son, the man as a boy, his father, his mother as well as themselves. As he goes about his task, ME explores the nature of his relationships as a father, son, and husband. And in the end must decide a course of action that challenges his flawed understanding of love and commitment. In association with Two Twelve Arts Center, From Around Here Productions fosters the work of Michigan playwrights by affording an opportunity for readings of original plays to be staged as a step in the play’s development. For more information about Two Twelve Arts Center, visit www.twotwelvearts.org
CastingInfoI am student photographer looking to do a project series exploring domestic abuse. I am looking for a male and female lead between the ages of 18-30 or two actors who can portray that age. It will be an emotionally charged project that will definitely push your range. I need 10-15 scenes acted out that I will photograph. I can offer TFP including shots of the production as well as a free headshot. I am including a link to my photography page so that you may check out some of my previous work. https://www.facebook.com/pages/Art-by-Roxanne/191309407546041
CastingInfoThis is a shared role position for a tenor/light baritone.. Qualifications: college level music degree, acting skills, musical theater experience preferred, guitar skills a plus but not required. Rehearsals are held in Ann Arbor, MI. The Dodworth Saxhorn Band, a professional brass ensemble based in Ann Arbor, MI, performs throughout the eastern US and Canada. This ensemble is a re-creation of a 19th-Century band and is fronted by 2 vocalists during its full-band performances. DSB works in scripted scenes or "segments" in which the vocalists sing a variety of 19th-Century American repertoire and portray various historically accurate characters such as impresario Allen Dodworth and his wife, Callie. DSB employs 4 vocalists--2 tenors and 2 sopranos--so this is a shared role. DSB performs throughout the year with its main season being May-October. There were 20 vocalist services in 2012 and a similar number of performances are scheduled for 2013. Vocalists are paid a modest premium above the instrumentalists’ rate for each service. Rehearsal fees are also paid to all musicians. Questions should be directed to: personnel@dodworth.org
CastingInfoWe are looking specifically for the roles of Coalhouse Walker, Jr., Sarah, and Booker T. Washington, and an African American vocal ensemble. We are also looking for a singing boy with an unchanged voice. However, you may sign up to audition even if you don't fit that description. Ann Arbor in Concert will present a concert version of Ragtime in May 2013. The rehearsal period will run from April 29 to May 17/ Tech week May 12 - May 16. Most roles are singing roles, a few non singing roles.
CastingInfoThe Kitchen Witches by Caroline Smith Isobel Lomax and Dolly Biddle are two "mature" cable-access cooking show hostesses who have hated each other for 30 years, ever since Stephen Biddle dated one and married the other. When circumstances put them together on a TV show called The Kitchen Witches, the insults are flung harder than the food! Dolly's long-suffering TV-producer son Stephen tries to keep them on track, but as long as Dolly's dressing room is one inch closer to the set than Isobel's, it's a losing battle, and the show becomes a rating smash as Dolly and Isobel top both Martha Stewart and Jerry Springer! CAST 2M, 2F DOLLY BIDDLE - a 50ish little cherub of a woman, prone to overweight but always going at top speed. She indulges herself with anything life has to offer whenever possible - even if it's not good for her! Her creative imagination knows no bounds. She is intensely proud of her son Stephen, loves to dispense advice along with recipes for cabbage rolls and borscht and hates Isobel Lomax with an intensity usually reserved for detonating nuclear devices. STEPHEN BIDDLE - a nervous, prematurely balding but decent young man who actually enjoys producing low-budget cable TV shows, even when his Mom is the star. He is 30ish, bright and capable, if somewhat shy, but always reluctant to confront Dolly on her many shortcomings. He's not a fighter - he'd rather be a lover, but nobody's asked him yet. ISOBEL LOMAX - thinks Martha Stewart could learn something about homemaking from her. She trained at the Cordon Bleu and enjoyed a successful career, including her own show "Busy Izzy". Isobel likes people to think she has a much classier background than reality supports; she would never go out without being properly accessorized. At heart, she is a bright funny and articulate woman who has come to terms with the choices she made early in life. ROB THE CAMERA GUY (or ROBERTA THE CAMERA CHICK) - Non-speaking role except for one line!). Rob is a young "Goth" inspired person; Stephen is a little afraid of him/her. He/she cleans up the sets, resets props, carries the portable camera around during the "live broadcasts" and despite his/her appearance, is generally extremely efficient and precise. (Can be played by an actual ASM or production assistant.)
CastingInfoPart-time position in research project looking at doctor communication. We are in need of men (black and white only please) who are in their late 50-60’s to visit doctors’ offices & play the role of patient. No invasive tests/procedures. Must have regular access to a reliable car. Reading and communication skills are essential. Ability and willingness to act personal history, physical symptoms and emotional characteristics is essential. This position has excellent hourly pay, plus mileage and training. Project expected to last about 2 years. Please call Melissa at 734.615.1264.
CastingInfoOpen auditions for kids ages 7 years old through high school will take place from 2:30-6:30 p.m. on Sunday, January 27 at the Saline Middle School Auditorium, 7190 N. Maple Rd. Saline. Auditions for adults will take place on Monday, January 28 at 7:00 or Tuesday, January 29 at 7:00 p.m at the same location. Callbacks, if needed, will be Thursday, January 31 at 7:00 at Liberty School Auditorium. Rehearsals will typically take place 6:30-9:30 p.m. Monday, Tuesday, and Thursday evenings, with an occasional Friday or Wednesday rehearsal. Rehearsals will begin February 11. The show will be performed at Saline High School April 19-21. Persons of all ages are encouraged to audition. Adult auditioners should be prepared to sing 16 bars of a musical theater song. Kids will be asked to sing a portion of The Candy Man (see website for details). These songs will be taught at auditions and also at the audition workshop on January 13 (see below). All will be asked to do cold readings from the script and improvisational exercises. Those auditioning should also bring a list of their conflicts between February 11 and April 21. Men, women and children/teens are needed for this cast. Roald Dahl's Willy Wonka is a musical play that combines elements of both Roald Dahl's book Charlie and the Chocolate Factory and of the 1971 movie Willy Wonka & the Chocolate Factory with newly created material. This timeless story of the world-famous candy man and his quest to find an heir comes to life in this stage adaptation of Charlie and the Chocolate Factory. Willy Wonka runs a contest in which the 5 lucky people who find Golden Tickets inside Wonka bars win a tour of the chocolate factory and a lifetime supply of chocolate. As they go through the tour, the temptations abound and some find they can’t resist what’s inside, with calamitous results. Familiar songs include Pure Imagination and The Candy Man plus many more. Full audition information and character descriptions are listed on the website: www.salineareaplayers.org. Questions about auditions should be directed to the director, Tami Hindes at 517-902-9960 or tabi34@yahoo.com Saline Area Players also announce a WILLY WONKA AUDITION WORKSHOP for kids (ages 7 through high school) on January 13 from 3-5:00 at Liberty School Auditorium, 7265 N. Ann Arbor St. If you’re thinking about auditioning, please join us for this workshop to learn the song you can sing at auditions, hear about the show, try some improvisational games, and receive good tips for auditioning.
CastingInfoBased on Kathe Koja’s award-winning novel, Under the Poppy is the story of a very theatrical Victorian brothel, owned by Decca and Rupert, business partners and childhood friends. With war looming, Istvan – Decca’s brother, and Rupert’s great lost love – arrives in town with his puppet troupe, determined to win Rupert back. But the sinister and wealthy patron Jurgen Vidor has other ideas, as does Decca, whose life at the brothel is built on betrayal and lies. Under the Poppy is an immersive performance event. Narrative is scripted, but improv skills are necessary. Experience with puppets and puppeteering is a plus. The narrative will take place continuously throughout the Ginsburg House, using puppetry, music, and film, and involve the audience as spectator and emotional participant: patrons will be offered masks to wear if they wish to be “visible” to the performers. The April performance is the last in a series of events on this model performed throughout Detroit in 2011/2012. Information on the previous performances is here http://underthepoppy.com/events/
CastingInfoThe information provided by the producer about the production and auditions appears here. |